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Mahavir Prasad Dwivedi (15 May 1864 – 21 December 1938) was an Indian Hindi writer and editor. Adhunikkaal, or the Modern period of the Hindi literature, is divided into four phases, and he represents the second phase, known as the Dwivedi Yug (1893–1918) after him, which was preceded by the Bharatendu Yug (1868–1893), followed by the Chhayavad Yug (1918–1937) and the Contemporary ...
Saraswati was the first Hindi monthly magazine of India. [1] [2] Founded in 1900, by Chintamani Ghosh, the proprietor of Indian Press, in Allahabad, [2] [3] its success under the editorship of littérateur Mahavir Prasad Dwivedi (1903–1920), led to flourishing of modern Hindi prose and poetry especially in Khariboli dialect. [4]
Mahavir Prasad Dwivedi (1864–1938), writer, linguist, translator; Mamta Kalia (1940–), Novelists; Manohar Shyam Joshi (1933–2006), journalist, screenwriter; Mehrunnisa Parvez (1944–), Hindi novelist, short story writer and Padma Shri awardee
The Dwivedi Yug ("Age of Dwivedi") in Hindi literature lasted from 1900 to 1918. It is named after Mahavir Prasad Dwivedi, who played a major role in establishing the modern Hindi language in poetry and broadening the acceptable subjects of the Hindi poetry from the traditional ones of religion and romantic love. He encouraged poetry in Hindi ...
A significant shift in Hindi poetry occurred with the founding of the magazine Sarasvatī in 1900, under the editorship of Mahavir Prasad Dwivedi. While initially appreciated more for its social and literary goals than for its aesthetic value, the Dwivedi yug marked a transformation in the content
In the past, the academy hosted prominent Hindi and Urdu writers like Munshi Premchand, Rahul Sankrityayan, Mahavir Prasad Dwivedi, Mahadevi Verma, Firaq Gorakhpuri, Jagadish Gupta in open discussions and talks. [3] [4] In 2014, as part of its initiative, Hindustani Academy revived its legacy by publishing rare pre-Independence Hindi and Urdu ...
The Dvivedī Yug ("Age of Dwivedi") in Hindi literature lasted from 1900 to 1918. It is named after Mahavir Prasad Dwivedi, who played a major role in establishing Standard Hindi in poetry and broadening the acceptable subjects of Hindi poetry from the traditional ones of religion and romantic love.
Mahavir Prasad Dwivedi, a notable literary critic, translated Meghadūtam to Hindi prose in 1924. [11] Three different translations into rhyming Hindi poetry were done by Shyamala Kant Varma, Bijendra Kumar Sharma, and Navin Kumar 'Nischal'. [12] [13] [14] Acharya Dharmanand Jamloki Translated Meghduta in Garhwali and was well known for his work.