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Gendang beleq is a dance and music performance from Lombok island, Indonesia. [1] It is a popular performance among the native Sasak people.. The name gendang beleq is a Sasak language term, which means "big drum (big gendang)", [2] as the performance is about a group of musicians playing, dancing and marching with their traditional instruments, centered on two big drum (gendang) players.
Gendang Beleq dance is a sacred folk dance tradition of the Sasak people [1] of Lombok, West Nusa Tenggara, Indonesia. [2] This dance performance is usually accompanied by big drums, called gendang beleq. [3] Gendang beleq can be performed during life-cycle ceremonies, such as celebration of birth, circumcision, wedding and funeral.
One of the best known variations of the Kendang is the Gendang beleq. Gendang beleq is a traditional music from Lombok island, Indonesia . The name gendang beleq is a Sasak language term, which means " big drum (big gendang ) ", [ 16 ] as the performance is about a group of musicians playing, dancing and marching with their traditional ...
Angklung kanekes are only made by the Baduy Dalam tribe who still maintain the pure traditions of their ancestors. The names of angklung instruments in Kanekes from the biggest are: indung, ringkung, dongdong, gunjing, engklok, indung leutik, torolok , and roel .
Balinese people preserve cultural arts with their percussion instrument. Etymologically, the word 'kompang' is absorbed from the Javanese: ꦏꦺꦴꦩ꧀ꦥ꧀ꦭꦁ, romanized: komplang which means "empty" or "hollow", this refers to the shape of the kompang musical instrument itself which has a hollow part (on the back that is not covered with skin) so that it can produce loud sounds when hit.
Gambang kromong orchestral instruments consists of: gambang kayu (a xylophone-like instrument), kromong (a set of 5 toned bonang), two Chinese rebab-like instruments called ohyan and gihyan with its resonator made out of a small coconut shell, a diatonic pitched flute that is blown crosswise, kenong and gendang drums.
An archaic ondel-ondel during the colonial period, performed at the opening of the new wing of Hotel des Indes.. Traditionally, the figure of ondel-ondel was known as barongan, a word derived from barong, a protective spirit that can be found across the animistic Austronesian culture long before the arrival of Hinduism.
Malay Gamelan developed in conjunction with Malay Joget Gamelan. In the mid-18th century, a team of court dancers and musicians was sent from central Java to the island of Penyengat, the royal island capital of the Riau-Lingga empire (present-day Indonesia).