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Ginger Rogers (born Virginia Katherine McMath; July 16, 1911 – April 25, 1995) was an American actress, dancer and singer during the Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (1940), and performed during the 1930s in RKO's musical films with Fred Astaire.
Ginger Rogers and Lew Ayres were married for seven years following this film. Sitting Pretty: 1933: Harry Joe Brown: Jack Oakie, Jack Haley: Flying Down to Rio: 1933: Thornton Freeland: Dolores del Río, Gene Raymond, Fred Astaire: The first Astaire–Rogers pairing. [1] This is the only movie where Rogers is billed above Astaire. Chance at ...
Hollywood Singing cowboy Ben Castle (Jack Carson) hires lawyer "A.J." Furnival (Ginger Rogers) to get him out of his gambling debts that he incurred in Las Vegas to Harry Kallen Stanley Ridges. Kallan recognises A.J. as the daughter of a legendary attorney who helped him on several occasions.
The studio initially purchased the property as a vehicle to reunite Rogers with Fred Astaire. [2] However, after negotiations with Astaire failed, the studio cast Milland, who had recently starred with Rogers in Paramount's The Major and the Minor. The film was first released on February 10, 1944, and was a critical and commercial success.
Fred Astaire and Ginger Rogers's first movie together was Flying Down to Rio (1933).. Fred Astaire (May 10, 1899 – June 22, 1987) and Ginger Rogers (July 16, 1911 – April 25, 1995) were dance partners in a total of 10 films, 9 being released by RKO Pictures from 1933 to 1939, and 1, The Barkleys of Broadway, by Metro-Goldwyn-Mayer in 1949, their only Technicolor film.
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My babysitters a lot of the time were Gene Kelly and Ginger Rogers from watching old movies. It was a lot of daydreaming.” Her father, Gabriel Gonzalez, is also an actor and musician.
Fifth Avenue Girl, sometimes stylized as 5th Ave Girl, is a 1939 RKO Radio Pictures comedy film directed by Gregory La Cava and starring Ginger Rogers, Walter Connolly, Verree Teasdale, and James Ellison. The screenplay was written by Allan Scott with uncredited contributions by La Cava and Morris Ryskind.