Search results
Results from the WOW.Com Content Network
Title: Jingle Bells Length: 2 minutes 21 seconds. Piano, flute, clarinet, french horn, et al. Happy, clappy arrangement worthy of a 6th grade band program. Solid 90bpm for techno remixing.
Jingle bells, Jingle bells, Jingle all the way; Oh! what joy it is to ride In a one horse open sleigh. Jingle bells, Jingle bells, Jingle all the way; Oh! what joy it is to ride In a one horse open sleigh. A day or two ago, I thought I'd take a ride, And soon Miss Fannie Bright Was seated by my side, The horse was lean and lank; Misfortune ...
The astronauts then produced a smuggled harmonica and sleigh bells, and with Schirra on the harmonica and Stafford on the bells, broadcast a rendition of "Jingle Bells". [ 17 ] [ 18 ] The harmonica, shown to the press upon their return, was a Hohner "Little Lady", a tiny harmonica approximately one inch (2.5 cm) long, by 3 ⁄ 8 of an inch (0. ...
Jingle bells as a musical instrument An audio sample of jingle bells Sleigh bells Tuned chromatic sleigh bells, range F4–F6 Four jingle bells around the anvil in the coat of arms of Nurmo A jingle bell or sleigh bell is a type of bell which produces a distinctive 'jingle' sound, especially in large numbers.
The Angelus, depicting prayer at the sound of the bell (in the steeple on the horizon) ringing a canonical hour.. Oriental Orthodox Christians, such as Copts and Indians, use a breviary such as the Agpeya and Shehimo to pray the canonical hours seven times a day while facing in the eastward direction; church bells are tolled, especially in monasteries, to mark these seven fixed prayer times.
A pastoral practice refers to how an idea is applied or is used when giving spiritual care or guidance. That usually occurs in "pastoral ministry" and pastoral care when leading somebody closer to God either in spiritual formation, teaching, counseling, or in liturgy. In liturgy, the pastoral practice can refer to an occasional event such as ...
The bells in a tower reside in the bell chamber or belfry usually with louvred windows to enable the sound to escape. The bells are mounted within a bellframe of steel or wood. Each bell is suspended from a headstock fitted on trunnions (plain or non-friction bearings) mounted to the belfry framework so that the bell assembly can rotate
The bells are usually tuned to a diatonic scale without chromatic notes; they are traditionally numbered from the top downwards so that the highest bell (called the treble) is numbered 1 and the lowest bell (the tenor) has the highest number; it is usually the tonic note of the bells' scale. To swing the heavy bells requires a ringer for each bell.