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Gregorian chant is the central tradition of Western plainchant, ... The Council of Trent struck sequences from the Gregorian corpus, except those for Easter, ...
It was also called sequentia, "sequence," because it followed (Latin: sequi) the Alleluia. Notker set words to this melisma in rhythmic prose for chanting as a trope. The name sequence thus came to be applied to these texts; and by extension, to hymns containing rhyme and accentual metre. A collection of sequences was called the Sequentiale.
In addition to a regulation of figural music, the Council of Trent (1545–1563) also gave instructions for the Gregorian chant. Thus, only four of the sequences of the late Middle Ages were admitted in the official Roman liturgy. The Counter-Reformation also recognized the importance of the vernacular hymn.
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
The dove: iconographic symbol of the Holy Spirit. Veni Sancte Spiritus (“Come, Holy Spirit”), sometimes called the “Golden Sequence” (Latin: Sequentia Aurea) is a sequence sung in honour of God the Holy Spirit, prescribed in the Roman Rite for the Masses of Pentecost Sunday. [1]
The gradual contains pieces of Gregorian chant, as well as its own repertoire: sequences, proses, readings and three polyphonic pieces with two voices: Res est admirabilis (sequence), Verbum bonum (sequence) and a Credo. In 1993, an interpretation of parts of the gradual was recorded by Ensemble Organum in the refectory of the abbey. [6]
The chants can be sung by using six-note patterns called hexachords. Gregorian melodies are traditionally written using neumes, an early form of musical notation from which the modern four-line and five-line staff developed. [1] Multi-voice elaborations of Gregorian chant, known as organum, were an early stage in the development of Western ...
Victimae paschali laudes" is a sequence prescribed for the Catholic Mass and some [who?] liturgical Protestant Eucharistic services on Easter Sunday. It is usually attributed to the 11th-century Wipo of Burgundy, chaplain to Holy Roman Emperor Conrad II, but has also been attributed to Notker Balbulus, Robert II of France, and Adam of St. Victor.
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