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Koji Kondo (Japanese: 近藤 浩治, Hepburn: Kondō Kōji, born August 13, 1961) is a Japanese composer and senior executive at the video game company Nintendo.He is best known for his contributions for the Super Mario and The Legend of Zelda series, with his Super Mario Bros. theme being the first piece of music from a video game included in the American National Recording Registry.
Mario Bros. [a] is a 1983 platform game developed and published by Nintendo for arcades.It was designed by Shigeru Miyamoto and Gunpei Yokoi, Nintendo's chief engineer.Italian twin brother plumbers Mario and Luigi exterminate creatures, like turtles (Shellcreepers) and crabs emerging from the sewers by knocking them upside-down and kicking them away.
Super Mario 64 is a 1996 platform game developed and published by Nintendo for the Nintendo 64.It was released in Japan and North America in 1996 and PAL regions in 1997. It is the first Super Mario game to feature 3D gameplay, combining traditional Super Mario gameplay, visual style, and characters in a large open world.
SoundFont is a brand name that collectively refers to a file format and associated technology that uses sample-based synthesis to play MIDI files. It was first used on the Sound Blaster AWE32 sound card for its General MIDI support.
The Super Mario Bros. theme, officially known as the "Ground Theme" [a] [1] [2] is a musical theme originally heard in the first stage of the 1985 Nintendo Entertainment System (NES) video game Super Mario Bros.
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The Super Mario Bros. Movie (Original Motion Picture Soundtrack) is the soundtrack to the 2023 film of the same name, based on Nintendo's Mario video game franchise. The original score for the film is composed by Brian Tyler, who incorporated and remixed the original themes from longtime Mario composer Koji Kondo under his collaboration.
During the Beware the Forest's Mushrooms performance from Super Mario RPG, Shimomura was joined onstage by fellow composer Yasunori Mitsuda, who played the Irish bouzouki. [13] She most recently composed and produced the majority of the score for Final Fantasy XV , which she began writing for in 2006, a decade before the game was released. [ 14 ]