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Malvolio is a fictional character in William Shakespeare's comedy Twelfth Night, or What You Will. His name means "ill will" in Italian, referencing his disagreeable nature. [1] He is the vain, pompous, authoritarian steward of Olivia's household.
Twelfth Night, or What You Will is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian , who are separated in a shipwreck.
Sir Andrew Aguecheek is a fictional character in William Shakespeare's play Twelfth Night, or What You Will. One of the supporting characters, Sir Andrew is a stereotypical fool, who is goaded into unwisely duelling with Cesario and who is slowly having his money pilfered by Sir Toby Belch. He is dim-witted, vain and clownish.
The Duel Scene from 'Twelfth Night' by William Shakespeare, William Powell Frith (1842). In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies; [1] and modern scholars recognise a fourth category, romance, to describe the specific types of comedy that appear in Shakespeare's later works.
The title of the work refers to a line from either William Shakespeare's Twelfth Night, where the fool, Feste, closes the play with a song having as its refrain "the rain It raineth every day" (Act 5, scene 1, line 415), or from King Lear, where an unnamed fool declares in Act 3, scene 2: "He that has and a little tiny wit / With heigh-ho, the ...
O Mistress Mine is an Elizabethan song which appears in Shakespeare's play Twelfth Night. It is sung by the character Feste, who is asked to sing a love song by Sir Andrew Aguecheek and Sir Toby Belch. The words of the song are addressed to the singer/poet's lover.
However, as the play progresses, it transpires that Sir Toby is just taking advantage of Sir Andrew's riches. His tormenting of the steward Malvolio is similarly double-edged in its tone of "sportful malice" (V,1). The plot against Malvolio is generally considered a comic highlight of the play, but critics have often complained of its cruelty. [1]
Hazlitt's commentary on Twelfth Night uses Shakespeare's play to illustrate some of his general ideas about comedy, thoughts that he explored at greater length in later works, such as his Lectures on the English Comic Writers (1819). [178] Walter Howell Deverell, Twelfth Night (1850)