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"I Am the Highway" is a song by the American rock supergroup Audioslave. It was released in September 2003 as the fourth single from their eponymous 2002 debut studio album Audioslave . It reached number 66 on the Billboard Hot 100 in 2004, number 2 on the Mainstream Rock Tracks chart and number 3 on the Modern Rock Tracks chart.
The Art of Fugue by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's Chromatic Fantasia and Fugue, BWV 903, in D minor. [1]
Bass guitar functionality was added to the North American version of the game via downloadable content on August 14, 2012. [1] All DLC songs are forward-compatible with Rocksmith 2014 , but DLC songs released on or after October 22, 2013, are compatible only with Rocksmith 2014 and will not play on the original version of Rocksmith .
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A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Mermaid Avenue is a 1998 album of previously unheard lyrics written by American folk singer Woody Guthrie, put to music written and performed by British singer Billy Bragg and the American band Wilco.
In 1961, 19-year-old Robert Allen Zimmerman dropped out of college in his native Minnesota, made a pilgrimage to New York City to meet his folk music idol Woody Guthrie, and decided to become, in ...
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).