Search results
Results from the WOW.Com Content Network
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
Many electric guitar players intentionally overdrive their amplifiers (or insert a "fuzz box") to cause clipping in order to get a desired sound (see guitar distortion).. Some audiophiles believe that the clipping behavior of vacuum tubes with little or no negative feedback is superior to that of transistors, in that vacuum tubes clip more gradually than transistors (i.e. soft clipping, and ...
In this case, generating deliberate (and in the case of electric guitars often considerable) audible distortion or overdrive is usually the goal. The term can also be used to describe the sound created by specially-designed transistor amplifiers or digital modeling devices that try to closely emulate the characteristics of the tube sound.
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.
This is a booster pedal intended to use between a low-level instrument such as electric guitar and an amplifier. It’s intended to place in signal chain after overdrive pedals in order to boost level rather than distortion - hence its gain of 18dB (or 8 times). You can of course use it in front of an overdrive to boost the gain for more ...
After initial recording, it is common for the audio signal to be altered in some way, such as with the use of compression, equalization, delays and reverb. With analog, this comes in the form of outboard hardware components , and with digital, the same is typically accomplished with plug-ins in a digital audio workstation (DAW).
Turning up the preamp and distortion knobs in varying combinations can create a range of overdrive tones, from a gentle, warm growling overdrive suitable for a traditional blues show or a rockabilly band to the extreme distortion used in hardcore punk and death metal. On some electric guitar amps, the "gain" knob is equivalent to the distortion ...
Depending on the style of signal clipping, the broader category of distortion pedals is typically divided into fuzz pedals, distortion pedals, and overdrive pedals. Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier.