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The song, while lengthy, is built around a common theme, as opposed to later Stones songs of great length like "Midnight Rambler" or "Can't You Hear Me Knocking" which are divided into distinct sections punctuated by differing instrumentations. "Goin' Home" plays as a long jam, eventually deconstructing Richards' guitar piece, Jagger's lyrics ...
In addition to the songs recorded during the 1975–1976 tour, the Stones decided to add four tracks taken from performances at Toronto's El Mocambo Club on 4 and 5 March 1977. The intention had been to play a set of the sort of classic blues and R&B covers that sealed the band's reputation when they performed regularly at the Crawdaddy Club in ...
"Live with Me" is a song by the Rolling Stones from their album Let It Bleed, released in December 1969. It was the first song recorded with the band's new guitarist Mick Taylor , who joined the band in June 1969, [ 2 ] although the first record the band released with Taylor was the single version of Honky Tonk Women .
"Rocks Off" is the opening song on the Rolling Stones' 1972 double album Exile on Main St. Recorded between July 1971 and March 1972, "Rocks Off" is one of the songs on the album that was partially recorded at Villa Nellcôte, a house Keith Richards rented in the south of France during the summer and autumn of 1971.
The song ends with a spoken passage by Jagger: "Well, thank you very much, and now I think it's time for us all to go. So, from all of us to all of you, not forgetting the boys in the band and our producer Reg Thorpe, we'd like to say 'God bless.' So, if you're out tonight, don't forget: if you're on your bike, wear white. Evening, all."
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Recorded on 18 February 1969, "You Got the Silver" is the first Stones song to feature guitarist Keith Richards on solo lead vocal throughout. Richards previously sang separate lead vocals on parts of "Something Happened to Me Yesterday" from Between the Buttons and on "Salt of the Earth" from Beggars Banquet.
Written by Mick Jagger and Keith Richards, “Let It Loose” is an emotional gospel blues ballad with a fervent religious feeling, the song being one of the band’s most prominent forays into soul and gospel during the Exile era after Jagger had attended the services of the Reverend James Cleveland and remained deeply impressed by the singing of the gospel choir.
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