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Roman influences may be found around us today, in banks, government buildings, great houses, and even small houses, perhaps in the form of a porch with Doric columns and a pediment or in a fireplace or a mosaic shower floor derived from a Roman original, often from Pompeii or Herculaneum.
The Column stands 100 Roman feet tall and is made of white Carrera marble. The Column of Marcus Aurelius was designed in the Doric style, which is an ancient Greek and Roman style of architecture that signified strength and dignity, its strong, firm, and simple design.
During the Romanesque period, builders continued to reuse and imitate ancient Roman columns wherever possible; where new, the emphasis was on elegance and beauty, as illustrated by twisted columns. Often they were decorated with mosaics. Examples of columns
Ancient Greek Ionic columns in the Temple of Apollo at Bassae, Bassae, Greece, illustration by Charles Robert Cockerell, unknown architect, c.429-400 BC [18] Compared Ionic order with Doric , Tuscan , Corinthian and Composite orders; with stereobate
The Renaissance period saw renewed interest in the literary sources of the ancient cultures of Greece and Rome, and the fertile development of a new architecture based on classical principles. The treatise De architectura by Roman theoretician, architect and engineer Vitruvius , is the only architectural writing that survived from Antiquity.
Corinthian peripteros of the Temple of Bacchus, Baalbek, Lebanon, unknown architect, 150–250 Corinthian columns from the Pantheon, Rome, unknown architect, c. 114–124 AD, which provided a prominent model for Renaissance and later architects Compared of the Doric, Tuscan, Ionic, Corinthian and Composite orders; with staircase
In their original Greek version, Doric columns stood directly on the flat pavement (the stylobate) of a temple without a base. With a height only four to eight times their diameter, the columns were the most squat of all the classical orders; their vertical shafts were fluted with 20 parallel concave grooves, each rising to a sharp edge called an arris.
The six pillars are stuccoed tufa, repaired with brick. This atrium is halfway to being a peristyle; planters flank a grassy area. The central marble fountain was fed by an aqueduct, making the original purpose of the atrium, a structure for gathering rainwater, superfluous. The original well remains, beside the nearest pillar .