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The fact that the 1912 exhibition had been curated to show the successive stages through which Cubism had transited, and that Du "Cubisme" had been published for the occasion, indicates the artists' intention of making their work comprehensible to a wide audience (art critics, art collectors, art dealers and the general public). Undoubtedly ...
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
The inspirations that led Csaky to Cubism were diverse, as they were for artists of Le Bateau-Lavoir, and other still of the Section d'Or. Certainly Cézanne's geometric syntax was a significant influence, as well as Seurat's scientific approach to painting. Given a growing dissatisfaction with the classical methods of representation, and the ...
Cubism in the Shadow of War: The Avant-garde and Politics in Paris, 1905–1914. New Haven/London, 1998; Gleizes, Albert. Art and Religion, Art and Science, Art and Production, translation, introduction and notes by Peter Brooke, London, Francis Boutle publishers, 1999, ISBN 0-9532388-5-7. Talks given in the 1930s reflecting Gleizes's mature ...
Joseph Csaky (also written Josef Csàky, Csáky József, József Csáky and Joseph Alexandre Czaky) (18 March 1888 – 1 May 1971) was a Hungarian avant-garde artist, sculptor, and graphic artist, best known for his early participation in the Cubist movement as a sculptor.
He then began doctoral work at New York University Institute of Fine Arts. In 1958, at the instigation of his professor Robert Goldwater, Robbins began writing a PhD dissertation on the Cubist artist and theoretician Albert Gleizes. At the time when, writes art historian David Cottington, "the expansionary momentum both of the New York art ...
Maria Bronislavovna Vorobyeva-Stebelska (Russian: Мария Брониславовна Воробьёва-Стебельская; Maria Bronislavovna Vorobyova-Stebelskaya; 14 February 1892 [1] – 4 May 1984), also known as "Marie Vorobieff" or Marevna, was a 20th-century, Russian-born painter known for her work with Cubism and pointillism.
Dancer in a Café (also known as Danseuse au café or Au Café Concert and Danseuse) is an oil painting created in 1912 by the French artist and theorist Jean Metzinger.The work was created while Metzinger and Albert Gleizes, in preparation for the Salon de la Section d'Or, were publishing, Du "Cubisme", [1] the first major defense of the Cubist movement, and it was first displayed (under the ...