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The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
Biwa hōshi (琵琶法師), also known as "lute priests", were travelling performers in the era of Japanese history preceding the Meiji period. They earned their income by reciting vocal literature to the accompaniment of biwa music. Biwa hōshi were mostly blind, and adopted the shaved heads and robes common to Buddhist monks.
Shamisen – a banjo-like lute with three strings; brought to Japan from China in the 16th century. Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater. Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly ...
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琵琶 is an East Asian string instrument. 琵琶 may refer to: Bipa, a Korean pear-shaped lute; Biwa, a Japanese short-necked fretted lute; Pipa, a Chinese plucked string instrument; Tỳ bà or đàn tỳ bà (檀琵琶), a Vietnamese traditional plucked string instrument
The biwa, particularly the satsuma biwa is another Japanese instrument which is known for its sawari. The make of the instrument is such that the strings are stopped by pulling them between frets that are raised centimeters from the neck of the instrument, allowing the player to create the desired sawari effect at each fret.
The Biwa-bokuboku was modeled after the biwa (琵琶), a short-necked, wooden lute. Toriyama Sekien reports in his work Hyakki Tsurezure Bukuro (百器徒然袋) that the biwa was designed after Chinese instruments such as the bokuma and the genjō. [1] [2] [3] The Biwa-bokuboku belongs to a special group of yōkai: the Tsukumogami (Japanese ...
Tsuruta specialized in the ancient pear-shaped plucked lute called the biwa, [1] and also sang. She developed her own form of the Satsuma biwa, [2] which is sometimes referred to as Tsuruta biwa. This biwa differs from the traditional Satsuma biwa in the number of frets, construction of the head, and occasionally a doubled 4th string.