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Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work. The Canon also shares roots with other, more significant chord progressions that lay the foundations of modern pop music. Its perceived ubiquity is itself an object of cultural discussion.
The song has a characteristic bass line and is set to a funk beat. For the most part, it is built entirely on a two-chord vamp: a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [5] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, [6] [7] as was one of the keyboard solos. The other keyboard solo was played on a ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
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It is a four on the floor-styled song with a simple and hypnotic sound design that makes use of tropical synths, Balearic beats, a rolling bassline, and funky piano chords, all layered with Lipa's vocals. [73] [74] [75] A remix of the track by Amaal Mallik featuring guest vocals in Hindi by Prakriti Kakar and Sukriti Kakar was released on 26 ...
“I always remember sitting in the back of my mom’s car and all of the songs playing [on the radio] were just so good,” Stefani told NME in October. “I mean, it was just the popular music ...
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