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Overtures were popular in 1950s and 1960s Hollywood musicals (particularly those of Rodgers and Hammerstein) but have become less common since. [1] In many cases, these overtures have been cut from TV and video releases and can only be found on "restored" DVD, Blu-ray and Ultra HD Blu-ray versions, if at all.
Poet and Peasant and Light Cavalry are among the most famous overtures ever written". [26] To these, the music critic Andrew Lamb adds as outstanding among Suppé's overtures those to Ein Morgen, ein Mittag und ein Abend in Wien (Morning, Noon, and Night in Vienna, 1844), Pique Dame (Queen of Spades, 1862), Flotte Bursche (Jolly Students, 1863 ...
1992: Williams' Indiana Jones theme used in video game Indiana Jones and the Fate of Atlantis scored by Clint Bajakian, Peter McConnell, Michael Land and Rich Douglas. 1993: Williams' Indiana Jones theme briefly used in The Young Indiana Jones Chronicles episode "Young Indiana Jones and the Mystery of the Blues".
Leonore No. 3 is well known for portraying some of the major events of the plot in a condensed, purely orchestral form, most notably the distant trumpet fanfares of the finale. Next to the actual, finalized Fidelio overture, this is the most commonly performed version, and still sometimes replaces the Fidelio overture in some productions.
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
Emerson Overture for Piano and Orchestra or Emerson Concerto (1911–12, incomplete, but re-used for the first movement of Piano Sonata No.2) Matthew Arnold Overture (1912, inc.) Overture and March: 1776 (1904, rev. 1910; re-used in "Putnam's Camp" from Three Places in New England and Holidays Symphony)
Oberon, or The Elf-King's Oath (J. 306) is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber.The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem Oberon by Christoph Martin Wieland, which itself was based on the epic romance Huon de Bordeaux, a French medieval tale. [1]
incidental music for the play by František Ferdinand Šamberk 125a: 62/0: 1882: Domov můj C dur, předehra ke hře Josef Kajetán Tyl: My Home in C major: orchestra: overture to the play Josef Kajetán Tyl, B. 125 126: 63: 1882: V přírodě: In Nature's Realm: mixed chorus: 5 choruses after poems by Vítězslav Hálek: 127: 64: 1881–82 ...