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Sita-Rama, a combination of the names of Rama and Sita, is also used as a common greeting in some parts of the world.. Sitaram is a Hindu term for the deity Sita and Rama.It is also used as a greeting by Hindus in the Hindi Belt especially in the Awadh, Bhojpur, and Mithila regions as well as being used by the diaspora in Fiji, Guyana, Jamaica, Mauritius, Suriname, and Trinidad and Tobago.
Krishnadas Payahari was instrumental in establishing two deities: Sita-Rama (Rama with his consort Sita) and Narasimha. Sita-Rama was one of the four deities which protected, secured and legitimized Kachawaha rulers. The icon of Sita-Rama is to this day housed at Sita-Ram-dwara located in the precincts of City Palace of Jaipur. The image of ...
The series showcases the life of Rama, the 7th incarnation of Lord Vishnu.It shows how he dealt with hardships in his life and how his life became an inspiration. It also showcases the ordeal and journey he went through to free his beloved wife, Sita (Incarnation of Goddess Lakshmi), from the rakshasa king Ravana, who abducted her.
Statues of Rama and Sita. Jai Siya Ram (or Jai Siyaram) is a Hindi expression, translating as "Victory to Sita and Rama". [1] Siya is a regional variant of Sita. [2] Sociologist Jan Breman states that it was used as "a greeting of welcome in the countryside since time immemorial". [3]
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Rama and Sita have inspired many forms of performance arts and literary works. [157] Madhubani paintings are charismatic art of Bihar, and are mostly based on religion and mythology. In the paintings, Hindu gods like Sita-Rama are in center with their marriage ceremony being one of the primary theme. [81]
Sita Swayamvara (Maithili: सीता स्वंवर) is the swayamvara event, culminating in the wedding of the deities Rama and Sita, the protagonists of the Hindu epic Ramayana. The event was related to a competition among the kings in the Indian subcontinent to win the hand of the princess Sita of the Mithila Kingdom.
These images were labelled with the "Jai Shri Ram" slogan (written in the Devnagari script of Hindi). [43] A 1995 essay published in Manushi, a journal edited by academic Madhu Kishwar, described how the Sangh Parivar's usage of "Jai Shri Ram", as opposed to "Sita-Ram", lies in the fact that their violent ideas had "no use for a non-macho Ram."