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The first version of the painting, created in 1596, is known as Murtula.It was named after poet Gaspare Murtola, who wrote of Medusa, "flee, for if your eyes are petrified in amazement, she will turn you to stone."
The influence of The Raft of the Medusa was felt by artists beyond France. Francis Danby, a British painter born in Ireland, probably was inspired by Géricault's picture when he painted Sunset at Sea after a Storm in 1824, and wrote in 1829 that The Raft of the Medusa was "the finest and grandest historical picture I have ever seen". [85]
Medusa is a c.1618 painting by the Flemish painter Peter Paul Rubens, showing the severed head of Medusa. The snakes in the painting have been attributed to Frans Snyders. [1] Frans Snyders also helped Peter Paul Rubens with his work Prometheus Bound, where he painted the eagle portrayed in it. [2]
Medusa and the other Gorgon sisters, Stheno and Euryale, have been featured in art and culture spanning from the days of ancient Greece to present day. Medusa is the most well-known of the three mythological monsters, having been variously portrayed as a monster, a protective symbol, a rallying symbol for liberty, and a sympathetic victim of ...
Jean-Louis André Théodore Géricault (French: [ʒɑ̃lwi ɑ̃dʁe teɔdɔʁ ʒeʁiko]; 26 September 1791 – 26 January 1824) was a French painter and lithographer, whose best-known painting is The Raft of the Medusa.
Medusa's Head, a Flemish painter, ca. 1600, Uffizi Gallery. In 1782, Leonardo's biographer Luigi Lanzi, while making a search for his paintings in the Uffizi, discovered a depiction of Medusa's head which he erroneously attributed to Leonardo, based on Vasari's description of Leonardo's second version of the subject:
Medusa remained a common theme in art in the nineteenth century, when her myth was retold in Thomas Bulfinch's Mythology. Edward Burne-Jones ' Perseus Cycle of paintings and a drawing by Aubrey Beardsley gave way to the twentieth-century works of Paul Klee , John Singer Sargent , Pablo Picasso , Pierre et Gilles , and Auguste Rodin 's bronze ...
Medusa, c. 1597, Uffizi, Florence Narcissus at the Source, 1597–1599, Galleria Nazionale d'Arte Antica, Rome. Already evident was the intense realism or naturalism for which Caravaggio is now famous. He preferred to paint his subjects as the eye sees them, with all their natural flaws and defects, instead of as idealised creations.
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