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The Oahu Music Company was a music education program in the United States during the 1930s and 1940s to teach students to play the Hawaiian Guitar. Popular culture in America became fascinated with Hawaiian music during the first half of the twentieth century [1] and in 1916, recordings of indigenous Hawaiian instruments outsold every other genre of music in the U.S. [2] By 1920, sales of ...
The Dobro or resonator guitar is a uniquely American lap steel guitar with a resonator cone designed to make a guitar louder. [15]: 109 It was patented by the Dopyera brothers in 1927, [15]: 109 but the name "Dobro", a portmanteau of DOpyera and BROthers, became a generic term for this type of guitar. [44]
One Cleveland-based enterprise, the Oahu Publishing Company, founded in 1926, sent salesmen door to door, promising families a free guitar for every child that completed a year’s worth of ...
In 1889 while attending the Kamehameha School for Boys, Kekuku accidentally discovered the sound of the steel guitar. In an article first seen in 1932, C.S. DeLano, publisher of the "Hawaiian Music In Los Angeles" whose "Hawaiian Love Song" was the first original composition to be written for the Hawaiian Steel Guitar said:
Valco manufactured and sold electric (since the 1950s), [3] resonator, [3] lap steel [3] and classical [4] guitars and vacuum tube amplifiers under a variety of brand names including Supro, Airline, National and Oahu. [1]
The popularity throughout the 1920s of Hawaiian music, with its unique slide-style of guitar playing, prompted the invention of the electric guitar in 1931, as a lap steel guitar, the "frying pan", by George Beauchamp. Electric amplification allowed the Hawaiian-style guitar to be heard in performances of larger popular bands.
David "Feet" Rogers was a Hawaiian lap steel guitar player and inductee into the Hawaiian Music Hall of Fame in 2019. [1]He was born on February 14, 1935 [2] [3] and grew up on the island of Oʻahu in the neighborhood of Kalihi.
Another hapa haole version pre-dated Fio Rito, recorded for Brunswick on November 11, 1933, by future Hawaiian Music Hall of Fame honoree and lap-steel guitar master Sol Hoʻopiʻi and His Novelty Quartet. [11] Other big bands recorded the song during the 1930s, The Ben Pollack Orchestra charting with a recording made for Columbia in January ...
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