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Shotei Ibata (井幡 松亭, Born: 1935) is a Japanese calligrapher and performance artist living in Kyoto, Japan. He is perhaps best known for his public demonstrations of Japanese calligraphy using a huge (up to 6 feet long) brush. He is also notable for his work, "to move calligraphy deeper into the modern world of art."
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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Download as PDF; Printable version; In other projects ... Pages in category "Japanese calligraphy" The following 13 pages are in this category, out of 13 total.
Bokujinkai members participated in a major debate that permeated early postwar Japanese calligraphy: the value of moji-sei (文字性, essence of the written character) in calligraphy. At the time, some calligraphers argued that as long as the formal qualities of calligraphic brushwork were visible, there was no actual necessity to write ...
Bokuseki (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy and more specifically a style of zenga developed by Zen monks. Bokuseki is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see Samadhi ).
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Her mother, Yasuko Kanazawa, had studied calligraphy under Taiun Yanagida, another notable calligraphist. [2] When Shōko was five years old, Yasuko opened a calligraphy school at her home in Ōta, Tokyo where she began teaching her daughter calligraphy as well. [2] The school, opened for children in their neighborhood, was to help Shōko make ...