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Bust of an old bearded man, looking down, three-quarters right: 1631 B263: 4: Bearded man, in a furred oriental cap and robe [The artist's father?] 1631 B315: 2: Old man with a flowing beard: bust: 1631 B348: 3: The artist's mother seated, in an oriental headdress: half-length: 1631 B349: 2: The artist's mother with her hand on her chest: small ...
Rip helps the man carry his burden to a cleft in the rocks from which thunderous noises are emanating; the source proves to be a group of bearded men wearing similar outfits playing nine-pin bowling. Not asking who these men are or how they know his name, Rip joins them in drinking flagons of alcohol from the keg he has helped carry and soon ...
Seated Old Man: c. 1630: Red and black chalk: 14.5 x 14.3 cm: Nationalmuseum, Stockholm: The drawing is related to the etching B325 : Bearded Old Man Seated in an Armchair: 1631: Red chalk on paper: 25 x 17 cm: Private collection, New York: Signed with the monogram RHL and dated 1631 Old Man Seated in an Armchair: 1631: Red chalk, frame line ...
Bearded Man with a Beret is a 1630 oil-on-panel painting by the Dutch artist Jan Lievens. Its dimensions are 53.5 cm × 46.3 cm (21.1 in × 18.2 in). [1] The painting is of an old man who is looking up to his right. His lips are parted as if he has been interrupted while speaking.
The 1976 action comedy Silver Streak included a farcical scene in which Gene Wilder must impersonate a black man, as instructed by Richard Pryor. In 1980, an underground film , Forbidden Zone , was released, directed by Richard Elfman and starring the band Oingo Boingo , which received controversy for blackface sequences.
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The technique used in this film was basically the stop trick: the single change to the scenes was the replacement of a drawing by a similar drawing with a different facial expression. In some scenes, a drawn bottle and glass were replaced by real objects. Blackton had possibly used the same technique in a lost 1896 lightning sketch film. [1]
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