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The artivist (artist + activist) uses their artistic talents to fight and struggle against injustice and oppression—by any medium necessary. The artivist merges commitment to freedom and justice with the pen, the lens, the brush, the voice, the body, and the imagination. The artivist knows that to make an observation is to have an obligation.
Archives naturally become a part of resistance literature because they reaffirm a person, people's, or events place in history [31] and combats the narrative that only what is immediately documented, available, or institutionally produced is true. They've become a pivotal resource in keeping the memory of marginalized communities alive and are ...
Young's conception of oppression does not involve an "active oppressor". This means that oppression can occur without people actively oppressing others. [14] Specifically, Young argues that. oppression is the inhibition of a group through a vast network of everyday practices, attitudes, assumptions, behaviors, and institutional rules.
Social justice art, and arts for social justice, encompasses a wide range of visual and performing art that aim to raise critical consciousness, build community, and motivate individuals to promote social change. [1] Art has been used as a means to record history, shape culture, cultivate imagination, and harness individual and social ...
Identity politics, as a mode of categorizing, are closely connected to the ascription that some social groups are oppressed (such as women, ethnic minorities, and sexual minorities); that is, the idea that individuals belonging to those groups are, by virtue of their identity, more vulnerable to forms of oppression such as cultural imperialism ...
Many of his ideas are considered as "a new media perspective", despite the relatively early birth of these ideas. Since then, these ideas have been developed more, giving them meaning in a modern-day context. The creation of the Theatre of the Oppressed is largely based on the idea of dialogue and interaction between audience and performer.
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They argue that mutual exchange happens on an "even playing field", whereas appropriation involves pieces of an oppressed culture being taken out of context by a people who have historically oppressed those they are taking from and who lack the cultural context to properly understand, respect, or utilise these elements. [11] [43]