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The Hohf House would be the first International Style building in the area; other house designs in the area were designed from various revival styles. [2] Keck & Keck were commissioned to build the house in collaboration with Hohf. Hohf designed the basic house plan where living areas surrounded a central atrium.
A late 19th-century artist's reimagining of an atrium in a Pompeian domus Illustration of the atrium in the building of the baths in the Roman villa of "Els Munts", close to Tarraco. In a domus, a large house in ancient Roman architecture, the atrium was the open central court with enclosed rooms on all sides.
Utzon set the exact amount of bricks to be used for the courtyard walls but he told the bricklayers they should build each house individually, catering for privacy, shade, view and enclosure. Built with state funding, the houses were limited to 104 m 2 (1,120 sq ft) per three-bed unit.
Atrium (pl.: atria): the atrium was the most important part of the house, where guests and dependents (clients) were greeted. The atrium was open in the center, surrounded at least in part by high-ceilinged porticoes that often contained only sparse furnishings to give the effect of a large space.
Ground Plan (1902) The house was originally a single symmetrical atrium house from the Samnite Period made of tufa blocks. The axially-aligned structure featured a central fauces, set between frontage shops, that lead to an atrium with compluvium and impluvium, three cubicula and alae that flanked the atrium on each side.
House of the Corinthian Atrium, in Herculaneum. The six pillars are stuccoed tufa, repaired with brick. This atrium is halfway to being a peristyle; planters flank a grassy area. The central marble fountain was fed by an aqueduct, making the original purpose of the atrium, a structure for gathering rainwater, superfluous.
Gordon's most successful plan—apparently his own unique design, without precedent—was that of a Greek cross with a square central atrium and stairwell, and quarter-circular entrance porches in each corner. This Signature Plan of his captured the passing breeze, which lifted thru the central atrium like a chimney, providing a natural ...
Floor plan of the House of the Greek Epigrams Pompeii (V 1,18) Entering the home using its front entrance (18), a visitor could look across a wide atrium with impluvium slightly offset to the right, through a curtained tablinum to the red and white-columned peristyle where a mural on the rear wall depicted a bull attacked by a tiger.
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