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Hymns collected for the use of Saint Leonard's Church Flamstead (1856) [141] [142] Portions of the Psalms of David, with hymns on various subjects, selected and arranged for the use of the Congregation of the Parish Church of Bromley St. Leonard (1857) [143] Hymns Ancient and Modern (numerous editions, 1861–2013)
Pages in category "Hymn tunes" The following 106 pages are in this category, out of 106 total. ... St Clement (hymn tune) Stille Nacht; Straf mich nicht in deinem Zorn;
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony , a fast harmonic rhythm (chords change frequently), with or without refrain or chorus.
In an article in the Hymn Society Bulletin in 1994 Mervyn Horder, himself a hymn-tune composer, suggested that 'Sullivan almost certainly had a larger hand in St Clement than has been or can ever definitely be, credited to him.' His starting-point was the fact that this tune stands head and shoulders above the quality of Scholefield's other work.
The hymn tune "St. Anne" (common metre 86.86) to which the text is most often sung was composed by William Croft in 1708 whilst he was the organist of St Anne's Church, Soho: hence the name of the tune. It first appeared anonymously in the Supplement to the New Version of the Psalms, 6th edition in 1708.
Dykes stated that he composed a number of tunes specially for use in Durham Cathedral's Galilee Chapel; [49] but the first of his tunes to have been published appeared in John Grey's Manual of Psalm and Hymn Tunes (Cleaver: London, 1857). This was a hymnal with a local circulation; the Rev. John Grey (1812–1895) was a canon of Durham ...
The hymn is most commonly set to [17] and was made famous by [18] the tune "St Fulbert" by Henry John Gauntlett, which first appeared in The Church Hymn and Tune Book (London, 1852). There it was used for the hymn "Now Christ, our Passover, is slain" and was known as "St Leofred".
Clement Charlton Palmer was born on 26 April 1871 in Barton-under-Needwood in Staffordshire. His father, Dr. Clement Palmer, was the local general practitioner. He was educated at the Derby School of Music [2] and at Repton School.