Search results
Results from the WOW.Com Content Network
Samuel Barclay Beckett (/ ˈ b ɛ k ɪ t / ⓘ; 13 April 1906 – 22 December 1989) was an Irish-born existentialist writer of novels, plays, short stories and poems. His literary and theatrical work features bleak, impersonal, and tragicomic experiences of life, often coupled with black comedy and nonsense.
In his most famous work, the drama En attendant Godot (Waiting for Godot, 1952), he examines the most basic foundations of our lives with strikingly dark humor. [2] Among his other famous literary works include Krapp's Last Tape (1958), Happy Days (1961) and The Molloy Trilogy (1955–58). Poster for drama performance of Beckett's Waiting for ...
This page was last edited on 10 October 2016, at 11:48 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Complete Short Prose 1929–1989 is a collection which includes all of Samuel Beckett's works written in prose, with the exception of his novels, novellas from Nohow On, and More Pricks Than Kicks which is considered "as much a novel as a collection of stories". [1] The book was edited by S. E. Gontarski and published by Grove Press in 1995.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
In this manner all three women at one point occupy the central position and all become privy to a secret about one of the others. Beckett said the action should be: "Stiff, slow, puppet-like." [8] The audience however does not get to hear what is whispered. The initial response in each instance is a shocked, "Oh," though Beckett specified that ...
Pages in category "Works by Samuel Beckett" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. C.
Opinions vary as to whether the work succeeds. Hugh Kenner calls it "Beckett’s most difficult work" and yet maintains that the piece "coheres to perfection," [6] John Pilling disagrees, remarking that Embers "is the first of Beckett’s dramatic works that seems to lack a real centre," [7] whereas Richard N. Coe considers the play "not only ...