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The Year 1812, Solemn Overture, Op. 49, popularly known as the 1812 Overture, [1] is a concert overture in E ♭ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia 's successful defense against the French invasion of the nation in 1812.
Heinrich Wilhelm Ernst (8 June 1812 – 8 October 1865) was a Moravian-Jewish violinist, violist and composer. He was seen as the outstanding violinist of his time and one of Niccolò Paganini's greatest successors.
Abraham Wood (1752 –1804) [1] was one of the first American composers. [2]Wood was born in Massachusetts Bay Colony and was a drummer during the American Revolutionary War.
Heinrich Lichner (6 March 1829 – 7 January 1898) was a prolific German composer, best known today for his teaching pieces - simple piano works written for students. He was born in Harpersdorf, Silesia.
Henri Vieuxtemps, Lithograph by Josef Kriehuber, 1842 Sheet music for La Fiancée de Messine from the King Baudouin Foundation.. Henri François Joseph Vieuxtemps (French: [ɑ̃ʁi fʁɑ̃swa ʒozɛf vjøtɑ̃]; 17 February 1820 – 6 June 1881) was a Belgian composer and violinist.
Holst was born in Cheltenham, Gloucestershire, the elder of the two children of Adolph von Holst, a professional musician, and his wife, Clara Cox, née Lediard. She was of mostly British descent, [n 1] daughter of a respected Cirencester solicitor; [2] the Holst side of the family was of mixed Swedish, Latvian and German ancestry, with at least one professional musician in each of the ...
Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) [a] [1] [2] was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music.