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The kokoshnik (Russian: коко́шник, IPA: [kɐˈkoʂnʲɪk]) is a traditional Russian headdress worn by women and girls to accompany the sarafan. The kokoshnik tradition has existed since the 10th century in the city of Veliky Novgorod. [1] It spread primarily in the northern regions of Russia and was very popular from 16th to 19th ...
A sarafan (Russian: сарафа́н, IPA: [sərɐˈfan], from Persian: سراپا sarāpā, literally "[from] head to feet") [1] is a long, trapezoidal Russian jumper dress (pinafore dress) worn by girls and women and forming part of Russian traditional folk costume. Traditional Russian costume consists of straight, flowing lines.
Zaitsev c. 1960s. During the Soviet era, clothing was dominated by Zaitsev and Valentin Yudashkin, [7] and he was compared to other world-renowned fashion designers such as Christian Lacroix, [8] Christian Dior, [9] Pierre Cardin [9] and Yves Saint Laurent, [10] Zaitsev was seen as being able to compete with Western designers; [11] however, under the communist regime, the only country outside ...
Pages in category "Russian costume designers" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. B. Léon Bakst;
As a set and costume designer, he collaborated with Sergei Diaghilev and George Balanchine, among others. Tchelitchew's works can be found in the collections of the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., the Courtauld Institute of Art in London, and the Philadelphia Museum of Art. [5]
Russian mob stole costumes from iconic ’90s kids’ show in botched $100K ransom plot: star. Chris Nesi. November 29, 2024 at 8:56 PM ... “The bananas are actually in some gulag in Russia, in ...
“Wicked” costume designer Paul Tazewell opens up about the making of Elphaba and Glinda's costumes on Wicked — the meaning of the Elphaba's back outfits, the bubble dress and more.
In search of exhibits, Alexey Alexandrovich Bakhrushin repeatedly made long trips to Russia, from which he brought not only theatre rarities, but also works of folk art, furniture, and traditional Russian costumes. In the early XX century Bakhrushin made three trips to improve the sections on the history of Western theatre.