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According to Tanigo, Hololive's primary audience are mostly males in their mid-teens to mid-thirties, with Japanese fans being mostly those who are interested in video games while overseas viewers are more likely to be anime fans specifically. Hololive's overseas audiences are primarily from North America and Asia, especially southeast Asia. [76]
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The section seems entirely defferential to a Chinese-centric point of view and ignores the heavy harassment from Chinese users toward non-Chinese Hololive members, that Chinese hololive was closed not because of harassment on bilibili but in order to exit the market to remove involvement with China to protect their Japanese talents, and also an ...
TikTok and parent company ByteDance filed a request Dec. 9 to pause legislation that could ban the app, until the Supreme Court has a chance to weigh in.
WASHINGTON (Reuters) -The Justice Department late on Wednesday asked a U.S. appeals court to reject an emergency bid by TikTok to temporarily block a law that would require its Chinese parent ...
Agencies like Hololive and Nijisanji created branches in China, South Korea, Indonesia, and India, as well as English-language branches targeting a global audience. Meanwhile, independent VTubers began to appear in many countries, from Japan to the United States.
Usada Pekora (兎田ぺこら) is a Japanese virtual YouTuber affiliated with Hololive Production. [2] She is part of Hololive Japan's 3rd Generation, "hololive Fantasy." [3] In addition to being one of the most-watched members of Hololive, she is one of the most-watched female streamers.
Hoshimachi Suisei (星街すいせい) [2] is a Japanese singer and virtual YouTuber.She began posting videos as an independent creator in March 2018. In May 2019, she became affiliated with Hololive Production through their newly created music label, INoNaKa Music, before joining the agency's main branch later the same year.