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One of Nakai's modified Porsches with an RWB signature double wing. Akira Nakai (Japanese: 中井 啓, Hepburn: Nakai Akira) is a Japanese automotive tuner, founder of Porsche aftermarket tuning company RAUH-Welt BEGRIFF (RWB), who specializes in the design and installation of custom wide-body kits for classic and modern Porsche models.
An oil burner is a heating device which burns #1, #2 and #6 heating oils, diesel fuel or other similar fuels. In the United States, ultra low sulfur #2 diesel is the common fuel used. In the United States, ultra low sulfur #2 diesel is the common fuel used.
Hugh Kenner calls it "Beckett’s most difficult work" and yet maintains that the piece "coheres to perfection," [6] John Pilling disagrees, remarking that Embers "is the first of Beckett’s dramatic works that seems to lack a real centre," [7] whereas Richard N. Coe considers the play "not only minor, but one of [Beckett’s] very few failures."
Words are a function of listening for Beckett, listening within a silence of being where the world is effaced." [29] For Beckett, writing can be equated to seeing, it is a visual art that aspires to the ideal status of music: "music is the idea itself, unaware of the world of phenomena", [30] "the ultimate imageless language of emotion."
Rough for Theatre II (also known simply as Theatre II) is a short play by Samuel Beckett. "Although this discarded piece of theatre is dated 'circa 1960' in End and Odds, a manuscript from two years earlier exists in Trinity College, Dublin, Library.
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Rockaby is a short one-woman play by Samuel Beckett.It was written in English in 1980, at the request of Daniel Labeille, who produced it on behalf of Programs in the Arts, State University of New York, for a festival and symposium in commemoration of Beckett's 75th birthday.
Rough for Radio I is a short radio play by Samuel Beckett, written in French in 1961 and first published in Minuit 5 in September 1973 as Esquisse radiophonique.Its first English publication as Sketch for Radio Play was in Stereo Headphones 7 (spring 1976), and first appeared under its current title in Ends and Odds (Grove 1976, Faber 1977).
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