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From Hurry Up Tomorrow, then-unreleased songs "Take Me Back to LA" and "São Paulo" could be heard. [2] The event took place from September 5, 2024, to November 3, 2024. [1] The album title Hurry Up Tomorrow was officially announced on September 4, a few days before a "one-night only" concert in São Paulo, through a video with a written poem: [10]
It was released on September 27, 2024, through XO and Republic Records as the second single from the former's upcoming sixth studio album Hurry Up Tomorrow. The song passed 10 million streams on Spotify in less than 24 hours and debuted in the top ten in 15 countries, and peaked at number three on the US Billboard Hot 100.
The Canadian performer announced he was working on a new album on Sept. 4 releasing the vinyl cover for “Hurry Up Tomorrow” just three days later. On Sept. 13 came the album’s first single ...
The Weeknd first performed the song live on September 7, 2024, at his one-night-only concert in Estádio do Morumbi, São Paulo, Brazil. [6] [7] The song was announced on September 9, 2024, as the lead single from his upcoming sixth studio album, Hurry Up Tomorrow, through Apple Inc.'s "It's Glowtime" promotional event promoting the iPhone 16 Pro.
The Weeknd has announced that his forthcoming album, the last in his trilogy that began with the blockbuster “After Hours” and continued with “Dawn FM,” will be titled “Hurry Up Tomorrow.”
The Weeknd will kickstart 2025 with a new album and celebratory concert in California. “Hurry Up Tomorrow,” the final chapter in a trilogy that includes 2020’s “After Hours” and 2022’s ...
To promote his upcoming album and celebrate his final project under the moniker the Weeknd, the artist held a one-off concert in São Paulo called "one-night-only" on September 7, 2024. [5] The occasion also marked the first time the Weeknd and Anitta performed their collaboration "São Paulo". [ 6 ]
The Weeknd’s suspense thriller “Hurry Up Tomorrow,” in which he stars alongside Jenna Ortega and Barry Keoghan, will debut in theaters on May 16. Directed by Trey Edward Shults (“Waves ...