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The Japanese version of the jester, taikomochi were once attendants to daimyō (feudal lords) from the 13th century, originating from the Ji sect of Pure Land Buddhism, which focused on dancing. These men both advised and entertained their lord and came to be known as doboshu ('comrades'), who were also tea ceremony connoisseurs and artists.
Kuniyoshi was born on September 1, 1889, in Okayama, Japan. [4] He immigrated to the United States in 1906 at 17, choosing not to attend military school in Japan. [5] Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and ...
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".
The Japan Communist Party soon came to dominate the major art societies and exhibitions in Japan, and thus the predominant form of art in the immediate aftermath of the war was socialist realism that depicted the suffering of the poor and the nobility of the working class, in line with Communist Party doctrine that all art should serve the ...
This category is for Japanese male artists. This is a non-diffusing subcategory of Category:Japanese artists . It includes artists that can also be found in the parent category, or in diffusing subcategories of the parent.
This is a non-diffusing subcategory of Category:20th-century Japanese artists. It includes Japanese artists that can also be found in the parent category, or in diffusing subcategories of the parent. See also: Category:20th-century Japanese women artists
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This work has revolutionized the view of Japanese art history, and Edo period painting has become the most popular field of Japanese art, with Itō Jakuchū being the most popular. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the ...