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The voice would say, 'I can't stand that man, the way he holds his brush he looks like a poof.' He immediately experienced whatever the voice was saying as his own thoughts, to the exclusion of all other thoughts. [53] And the second kind in which the voice comes after the thought appears is called echo de la pensée in French, namely thought echo.
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
In music performance and notation, legato ([leˈɡaːto]; Italian for "tied together"; French lié; German gebunden) indicates that musical notes are played or sung smoothly and connected. That is, the player makes a transition from note to note with no intervening silence.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Musical memory refers to the ability to remember music-related information, such as melodic content and other progressions of tones or pitches. The differences found between linguistic memory and musical memory have led researchers to theorize that musical memory is encoded differently from language and may constitute an independent part of the phonological loop.
Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
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In other words, the voice's resultant glottal wave is filtered by the vocal tract: a phenomenon of sympathetic resonance. [7] The vocal resonator is not a sounding board comparable with stringed instruments. Rather, it's a column of air traveling through the vocal tract, with a shape that is not only complex, but highly variable. Vennard says: