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The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
The I/C100 Organ/Musical Instrument Amplifier, which gave a massive 100-watt RMS of undistorted power and featured a unique green electro-luminescent lit front panel which was to become one of HH's unique selling points, was produced with musicians (especially the semi-pro) and the retail music equipment market in mind. The separate 412BL [4 x ...
The 1 and 5 watt formats have 2 channels, while the 60 and 100 watt formats have 3 channels. These amps boast "extreme gain and tone", and are "Voiced for Metal- Hundreds of hours of technical development and focussed listening tests have resulted in the ultimate gigging metal head." This line of amplifiers was released at Musicmesse 2013. This ...
The transmitting tubes TT21 and TT22 have almost identical transfer characteristics to KT88 but a different pinout, and by virtue of their anode being connected to the top cap have a higher plate voltage rating (1.25 kilovolt) and a higher power output capability of 200 watts in class AB1 push–pull.
In 1959, Harman Kardon marketed the Citation II, an early ultra wideband stereophonic tube amplifier. It featured 60 watts/channel output with a frequency response of 18–60,000 Hz at 20 watt output. [20] The company promoted their philosophy of designing high fidelity sound using amplifiers that provided widest possible audio bandwidth.
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
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