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  2. Underglaze - Wikipedia

    en.wikipedia.org/wiki/Underglaze

    Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.

  3. Transfer printing - Wikipedia

    en.wikipedia.org/wiki/Transfer_printing

    Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.

  4. Blue Ridge (dishware) - Wikipedia

    en.wikipedia.org/wiki/Blue_Ridge_(dishware)

    Blue Ridge's free-style decorations helped it stand out against competitors, most of whom used dull, decal-decorated dishes. Although Southern Potteries eventually employed over 1,000 workers and had gained a foothold in major markets across the United States, the company was unable to overcome the onset of plastic dinnerware in the 1950s.

  5. Ceramic decal - Wikipedia

    en.wikipedia.org/wiki/Ceramic_decal

    A ceramic decal is a transfer system that is used to apply pre-printed images or designs to ceramic tableware, ornamental ware and tiles, and glass containers.. A decal typically comprises three layers: the color, or image, layer which comprises the decorative design; the covercoat, a clear protective layer, which may incorporate a low-melting glass; and the backing paper on which the design ...

  6. In-glaze decoration - Wikipedia

    en.wikipedia.org/wiki/In-glaze_decoration

    Italian Renaissance maiolica, Faenza, istoriato ware by Baldassare Manara, after Giovanni Antonio da Brescia, c 1520 -47. In-glaze or inglaze is a method of decorating pottery, where the materials used allow painted decoration to be applied on the surface of the glaze before the glost firing so that it fuses into the glaze in the course of firing.

  7. Blue and white pottery - Wikipedia

    en.wikipedia.org/wiki/Blue_and_white_pottery

    In this century a number of experiments were made combining underglaze blue and other colours, both underglaze and overglaze enamels. Initially copper and iron reds were the most common, but these were much more difficult to fire reliably than cobalt blue, and produced a very high rate of mis-fired wares, where a dull grey replaced the intended ...

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