Search results
Results from the WOW.Com Content Network
Japanese folk songs (min'yō) can be grouped and classified in many ways but it is often convenient to think of five main categories: fisherman's work song, farmer's work song; lullaby; religious songs (such as sato kagura, a form of Shintoist music) songs used for gatherings such as weddings, funerals, and festivals (matsuri, especially Obon)
Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
Jōruri (浄瑠璃) is a form of traditional Japanese narrative music in which a tayū (太夫) sings to the accompaniment of a shamisen. [1] Jōruri accompanies bunraku, traditional Japanese puppet theater. [2] As a form of storytelling, jōruri emphasizes the lyrics and narration rather than the music itself. [3]
Category: Music of Japan. 74 languages. Anarâškielâ ... Japanese songs (84 C, 74 P) Japanese styles of music (16 C, 38 P) T. Japanese music television series (4 C ...
The first reference to nagauta as shamisen music appears in the second volume of Matsu no ha (1703). [1] By the 18th century, the shamisen had become an established instrument in kabuki, when the basic forms and classifications of nagauta crystallized [1] as a combination of different styles stemming from the music popular during the Edo period.
"Katyusha's Song" (カチューシャの唄, Kachūsha no Uta), [1] or "Song of Katyusha", [2] is a Japanese song which was highly popular in early-20th century Japan. It was composed in the major pentatonic scale by Shinpei Nakayama [ 3 ] with lyrics by Soeda Azenbō [ ja ] . [ 4 ]
' popular song ') is a Japanese musical genre. [1] The term originally denoted any kind of "popular music" in Japanese, and is the sinic reading of hayariuta, used for commercial music of Edo Period. [2] Therefore, imayō, which was promoted by Emperor Go-Shirakawa in the Heian period, was a kind of ryūkōka. [3]
The song was first publicly performed the same year at a concert hosted by the Greater Japan Music Society at the Rokumeikan. It was considered the first Western-style military song in Japan and the first to become popular across the country, although it was initially believed to be difficult to sing for Japanese unaccustomed to modulation. [2]