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In 1930, Georgia O'Keeffe created 54 works, some of which were created in Maine and New York, though the majority were completed in New Mexico. [4] In April of that year, she continued her exploration of natural forms in Maine, expanding on her ongoing shell series first initiated in the 1920s (Shell and Old Shingle I, Shell and Old Shingle VII, 1926; Shell No. 2, 1928) and continuing ...
In the summer of 1929, O'Keeffe made the first of many trips to northern New Mexico. The stark landscape, and Native American and Hispanic cultures of the region inspired a new direction in her art.
Painting materials as displayed at the Georgia O'Keeffe Museum in Santa Fe, New Mexico. O'Keeffe was a legend beginning in the 1920s, known as much for her independent spirit and female role model as for her dramatic and innovative works of art. [88]
The skull motifs, inspired by animal skulls and bones collected in the New Mexico desert, began appearing in O'Keeffe's work in 1931. [3] By the early 1930s, the news of Stieglitz's adultery had taken a significant emotional toll on O'Keeffe who suffered a nervous breakdown in 1932 and was hospitalized for psychoneurosis in New York in 1933. [5]
The Georgia O'Keeffe Museum consists of two locations in New Mexico. The Georgia O'Keeffe Museum Galleries, 217 Johnson St., Santa Fe, are curated galleries through O'Keeffe's entire body of work.
2009: New Mexico and New York: Photographs of Georgia O'Keeffe 2010: Susan Rothenberg: Moving in Place (organized with the Modern Art Museum of Fort Worth ) 2010: Georgia O'Keeffe: Abstraction (traveled to the Whitney Museum of American Art , New York, September 17, 2009 – January 17, 2010, and The Phillips Collection , Washington D.C ...
See inside of Georgia O'Keeffe's home in Abiquiu, New Mexico, circa 1963. It was featured in House Beautiful's April issue that year.
Inspired by the principles of Arthur Wesley Dow and the Texas landscape, O'Keeffe made paintings using vibrant red, blue and yellow colors. [5] About 1916, she used brilliant red and yellow colors in Special #21: Palo Duro Canyon, which belongs to the New Mexico Museum of Art.