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Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610).. The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition [1] of his study of the artist).
Basket of Fruit (c.1599) is a still life painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610), which hangs in the Biblioteca Ambrosiana (Ambrosian Library), Milan. It shows a wicker basket perched on the edge of a ledge. The basket contains a selection of summer fruit:
Another step toward the autonomous still life was the painting of symbolic flowers in vases on the back of secular portraits around 1475. [16] Jacopo de' Barbari went a step further with his Still Life with Partridge and Gauntlets (1504), among the earliest signed and dated trompe-l'œil still-life paintings, which contains minimal religious ...
Still Life of Fruit and Dead Fowl or A Stoneware jug, Fruit, and Dead Game Birds is a c. 1650 oil-on-panel still-life painting by the Dutch Golden Age painter Harmen Steenwijck. It features dead birds which are meant to represent mortality and fruits which are meant to convey wealth.
Rideau, Cruchon et Compotier (English: Curtain, Jug and Fruit Bowl) is an oil on canvas painting created c. 1893 to 1894 by French artist Paul Cézanne. It is a formal still life composition that displays Cézanne's exploration of form, balance and symmetry in objects.
Jean-Michel Picart or Jean-Michel Picard [1] (Antwerp, c. 1600 – Paris, 24 November 1682) was a Flemish still life painter and art dealer active in France. After training in Antwerp, he moved to Paris where he had a brilliant career and became court painter to king Louis XIV. He is known for his flower and fruit still lifes. [2]
Jan Pauwel Gillemans the Younger was a still life painter mainly of fruit and flower still lifes. His early works were banquet style still lifes. His later, large compositions with fruit still lifes in outdoor settings often included scenes of animals, putti or mythological figures and were created in collaboration with figure painters.
Fede Galizia, better known as Galizia, (c. 1578 – c. 1630) was an Italian painter of still-lifes, portraits, and religious pictures. She is especially noted as a painter of still-lifes of fruit, a genre in which she was one of the earliest practitioners in European art.