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  2. Imari ware - Wikipedia

    en.wikipedia.org/wiki/Imari_ware

    Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.

  3. Blue and white pottery - Wikipedia

    en.wikipedia.org/wiki/Blue_and_white_pottery

    Dutch delftware vase in a Japanese style, c. 1680 "Blue and white pottery" (Chinese: 青花; pinyin: qīng-huā; lit. 'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide.

  4. Japanese pottery and porcelain - Wikipedia

    en.wikipedia.org/wiki/Japanese_pottery_and_porcelain

    Blue porcelain vase decorated with red and yellow flowers and green foliage with geometric design around the neck and foot rim, by Imaemon Imaizumi XII (Living National Treasure). It was gifted by Emperor Shōwa and Empress Kōjun on the occasion of their first visit to the United States to President Gerald R. Ford in 1975.

  5. These 10 Cobalt Blue Wallpapers Will Instantly ... - AOL

    www.aol.com/lifestyle/10-cobalt-blue-wallpapers...

    We've selected some of the chicest cobalt blue wallpapers on the market to provide some inspiration. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 more ways to ...

  6. Delftware - Wikipedia

    en.wikipedia.org/wiki/Delftware

    Delftware or Delft pottery, also known as Delft Blue [1] (Dutch: Delfts blauw) or as delf, [2] is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery , and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made ...

  7. Satsuma ware - Wikipedia

    en.wikipedia.org/wiki/Satsuma_ware

    Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...

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