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From the Bengali Vaishnavas, Vaiṣṇava Sahajiyā adopted the devotion to Radha Krishna and its understanding of bhava (feeling) and rasa (flavor). From the Buddhists, they adopted the theory of emptiness (shunyata) and tantric deity yoga and sexuality. [7] The Vaiṣṇava Sahajiyā tradition also influenced the Baul tradition of Bengal. [4]
Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
The frame of the Rādhātantram is a dialogue between Shiva and Parvati where Shiva narrates her the love story and divine pastimes of Radha Krishna and their real spiritual forms. In Radha tantra, Radha becomes the independent goddess and elevates to the stature of Supreme goddess and Krishna's ultimate guru. Krishna here becomes her disciple ...
According to William Archer and David Kinsley, a professor of Religious Studies known for his studies on Hindu goddesses, the Radha-Krishna love story is a metaphor for a divine-human relationship, where Radha is the human devotee or soul who is frustrated with the past, obligations to social expectations, and the ideas she inherited, who then ...
Jayadeva worshipping Krishna and Radha. The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it.
The Brahmavaivarta Purana, along with Bhagavata Purana, have influenced performance arts and cultural celebrations in India, such as with Rasa Lila in Manipur above.. This text is mostly legends, worship, mythology and drama during the life of Radha and Krishna, with discussion of ethics, dharma, four stages of life and festivals embedded as part of the plot.
Chandidas' Shrikrishna Kirtana, a poem on Krishna and Radha, depicts them as divine couple, but in human love. [48] The other 15th–16th centuries Bhakti poet-sants – Vidyapati, Meera Bai, Surdas, Swami Haridas, as well as Narsinh Mehta (1350–1450), who preceded all of them, also wrote about Radha and Krishna love. [49]
It revolves around Krishna and the cowherd girls, narrating the divine love story of Krishna, (svayam bhagavan) and Radha, his beloved. This dance form was established by Bhagya Chandra in 1779, and is still performed annually in some parts of India during Krishna Janmashtami, the festival celebrating Krishna's birth. According to different ...