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  2. Locked hands style - Wikipedia

    en.wikipedia.org/wiki/Locked_hands_style

    Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.

  3. Johnny B. Moore - Wikipedia

    en.wikipedia.org/wiki/Johnny_B._Moore

    Johnny B. Moore (born Johnny Belle Moore, January 24, 1950, Clarksdale, Mississippi) [2] is an American Chicago blues and electric blues guitarist, singer and songwriter. [1] He was a member of Koko Taylor's backing band in the mid-1970s.

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    mail.aol.com

    Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!

  5. Sixteen-bar blues - Wikipedia

    en.wikipedia.org/wiki/Sixteen-bar_blues

    Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]

  6. V–IV–I turnaround - Wikipedia

    en.wikipedia.org/wiki/V–IV–I_turnaround

    This is a plagal cadence featuring a dominant seventh tonic (I or V/IV) chord. However, Baker cites a turnaround containing "How Dry I Am" as the "absolutely most commonly used blues turnaround". [5] Fischer describes the turnaround as the last two measures of the blues form, or I 7 and V 7, with variations including I 7 –IV 7 –I 7 –V 7. [6]

  7. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.

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