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The lyrics also show a trend toward those more commonly associated with "Children, Go Where I Send Thee." For instance, the line "Two, two, the lily-white boys clothed all in green" in Grainger's recording has become "One was the little white babe all dressed in blue" in the Bellwood Prison Camp recording. [7] [2]
"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...
"My Mother's Bible" [18] is among the 'Mother Songs' of the tear-jerker variety Archived 2011-05-22 at the Wayback Machine as selected by Mudcat Cafe. Notwithstanding the sentimentality, "My Mother's Bible" emerged in a number of generally stately hymnals, including the Broadman Hymnal edited by Baylus Benjamin McKinney [19] and Christian Hymns ...
Matthew 3:2 is the second verse of the third chapter of the Gospel of Matthew in the New Testament. John the Baptist has been introduced in the first verse and this verse describes the message that he is preaching. Through John's message, Matthew introduces the "Kingdom of Heaven".
"Swing Low, Sweet Chariot" is an African-American spiritual song and one of the best-known Christian hymns. Originating in early African-American musical traditions, the song was probably composed in the late 1860s by Wallace Willis and his daughter Minerva Willis, both Choctaw freedmen.
Based on a number of Bible references, a tenor arioso describes the preachers further: "Their sound is gone out into all lands" (Romans 10:18, Psalms 19:4). In another Handel's version (so called version B), which is commonly preferred by performers now, the same text is set to new music and scored for chorus.
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Singing in the Spirit or singing in tongues, in Pentecostal and charismatic Christianity, is the act of worshiping through glossolalic song. The term is derived from the words of Paul the Apostle in 1 Corinthians 14:15, "I will pray with my spirit, but I will pray with my mind also; I will sing praise with my spirit, but I will sing with my mind also".