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Sir Thomas Lawrence PRA FRS (13 April 1769 – 7 January 1830) was an English portrait painter and the fourth president of the Royal Academy.A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square.
Mrs. Pawling is credited with a small number of crayon, pastel portraits at the end of the 17th century. Her work has been compared to that of Henrietta Johnston. [1] Three examples of Mrs. Pawling's work can be found at Belton House; a portrait of Sir Pury Cust (1655-1698/9), a portrait of Lady Alice Savile Cust (1666/7-1712), and a portrait of Savile Cockayne Cust (1698–1772) as a child. [2]
Alain J. Picard (born April 30, 1974) is an American figurative, landscape, and portrait pastel painter, art instructor, and writer.He resides in Southbury, Connecticut. [1] [2] He has lectured and demonstrated for The Metropolitan Museum of Art, the National Arts Club in New York City, Vose Galleries in Boston, MA, the International Association of Pastel Societies Convention in Albuquerque ...
A typical signature is the inscription on the reverse of her portrait of Philip Perceval: Henrietta Dering Fecit / Dublin Anno 1704. [1] Johnston was almost exclusively a portraitist; the only landscapes attributed to her hand are the backgrounds of a pair of children's portraits from New York, which are also her only known portraits of ...
Elizabeth Cummings Low, watercolor, pastel, and pencil, 1829. From 1791 to 1801, she was a summer school teacher in the Leicester area. [7] She taught up to 10 children who lived in the Bascom household during her marriage to Reverend Bascom; the schooling, paid for by the community, was conducted over a short term that included basic education, singing, and a term finale with costumes. [9]
A pastel entitled Larkspur, Peonies, and Canterbury Bells that the Boston Museum of Fine Arts bought in 1926 has consistently been the best-selling image in the museum's gift shop. [7] Laura Coombs Hills, Portrait of Mrs. T., miniature painted on ivory ca. 1899.
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