Search results
Results from the WOW.Com Content Network
"I Want You to Need Me" – 4:34 "I Want You to Need Me" (Thunderpuss Radio Mix) – 4:32; European CD maxi-single "I Want You to Need Me" – 4:34 "I Want You to Need Me" (Thunderpuss Radio Mix) – 4:32 "I Want You to Need Me" (Thunderpuss Tribapella) – 7:41 "That's the Way It Is" (The Metro Club Remix) – 5:28; European 12-inch single
I Want You is the fourteenth studio album by American soul singer and songwriter Marvin Gaye. It was released on March 16, 1976, by the Motown Records -subsidiary label Tamla. Gaye recorded the album during 1975 and 1976 at his studio Marvin's Room in Los Angeles and at Motown's Los Angeles–based Hitsville West studio.
In 2003, Michael McDonald covered "I Want You" on his album Motown. In 2022, Kendrick Lamar sampled and interpolated "I Want You" on the standalone non-album single "The Heart Part 5", released prior to his album Mr. Morale & the Big Steppers. It later became available as a bonus track on the album. [19]
"I Want You" is a song by the American rock band Cheap Trick, which was released in 1982 as the second single from their sixth studio album One on One. The song was written by Rick Nielsen and produced by Roy Thomas Baker. It was released as a single in the Netherlands only, reaching No. 48 there. [1] [2]
Here are five rising stars to watch this year, according to BI's senior music reporter. The list includes Addison Rae, Doechii, Jade, Ravyn Lenae, and Shygirl. Rae is set to release her debut ...
"I Want You to Want Me" was a number-one single in Japan. [3] [4] [better source needed] Its success in Japan, as well as the success of its preceding single "Clock Strikes Ten", paved the way for Cheap Trick's concerts at Nippon Budokan in Tokyo in April 1978 that were recorded for the group's most popular album, Cheap Trick at Budokan. [5]
Ryan Seacrest and Luke Bryan WireImage (2) American Idol contestant Emmy Russell provoked an emotional reaction with her Top 20 performance. “I’m crying,” host Ryan Seacrest said after ...
The album was generally well-received by critics with favorable comparisons to the Beatles and the Who, with critics likening Robin Zander's vocals to John Lennon's. . Charles M. Young, writing for Rolling Stone, said the album had a "heavy emphasis on basics with a strain of demented violence" and that the lyrics "run the gamut of lust, confusion and misogyny, growing out of rejection and ...