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Gandhara art is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are heavily influenced by Greco-Roman art. It has the strong idealistic realism and sensuous description of Hellenistic art , and it is believed to have produced the first representations of Gautama Buddha in ...
Gandhara (IAST: Gandhāra) was an ancient Indo-Aryan [1] region in present-day north-west Pakistan and north-east Afghanistan. [2] [3] [4] The core of the region of Gandhara was the Peshawar and Swat valleys extending as far east as the Pothohar Plateau in Punjab, though the cultural influence of Greater Gandhara extended westwards into the Kabul valley in Afghanistan, and northwards up to the ...
From around that time, the art of Mathura adopted the image of the Buddha with the monastic robe covering both shoulders, a likely derivation from the art of Gandhara. [169] Statues from the art of Gandhara, dating to the 1st-2nd century CE, have been found in Mathura, such as the Saptarishi Tila statue, suggesting they may have influenced ...
Johanna Hanink has attributed the concept of "Greco-Buddhist art" to a European scholarly inability to accept that natives could have developed "the pleasing proportions and elegant poses of sculptures from ancient Gandhara", citing Michael Falser and arguing that the entire notion of "Buddhist art with a Greek 'essence'" is a colonial ...
Kushan art blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. [2] Most of the Greco-Buddhist art of Gandhara is thought to have been produced by the Kushans, starting from the end of the 1st century CE. [16]
Alfred Charles Auguste Foucher (1865–1952), was a French scholar, who argued that the Buddha image has Greek origins. He has been called the "father of Gandhara studies", and is a much-cited scholar on ancient Buddhism in northwest Indian subcontinent and the Hindu Kush region.
The Amaravati school of Buddhist art was one of the three major Buddhist sculpture centres along with Mathura and Gandhara and flourished under Satavahanas, many limestone sculptures and tablets which once were plastered Buddhist stupas provide a fascinating insight into major early Buddhist school of arts.
Vrishabha Sen was the Ganadhara of Tīrthankara Rishabhanatha.According to Jain legends, after the nirvana of Rishabhanatha, Bharata was in grief. Ganadhara Vrisabha Sen saw him and spoke to him: