Search results
Results from the WOW.Com Content Network
He is well-known for his letter designs and is referred to as a legend in the Brooklyn graffiti scene. [ 1 ] [ 2 ] He was part of the Brooklyn based graffiti crew Beyond Your Imagination (BYI), which was active from the mid-1980s to the late 1980s and included membership by TRIM, ATCO, TRECH, CHINO, TRACK aka TE KAY, SCOTCH 79 aka KEO, SAST and ...
Priz-one (New York City) – graffiti; Rammellzee (New York City) – gothic futurist, graffiti; Retna (born Marquis Lewis 1979; Los Angeles) – graffiti; Revs (New York City), graffiti and urban art; Jorge Rodriguez-Gerada (New York City) – urban art, culture jamming; Stephanie Rond (Columbus, Ohio) Rubin415 (New York City) - graffiti
Graffiti began appearing around New York City with the words "Bird Lives" [1] but after that, it took about a decade and a half for graffiti to become noticeable in NYC. So, around 1970 or 1971, TAKI 183 and Tracy 168 started to gain notoriety for their frequent vandalism. [ 2 ]
NEW YORK - Graffiti, once an underground movement in the '70s and '80s, has now moved above ground. In fact, "Above Ground" is the name of the new exhibit at the Museum of the City of New York ...
That's long been the question in New York City, a graffiti hub since the 1960s, that's recently seen some beloved institutions fall. In 2006, it was announced that 11 Spring Street – a 19th.
Andre Pierre Charles (born 1968) is an American artist born in Brooklyn, New York and raised in the Bronx. [1] Charles is best known as a 1980s pioneer of the New York City graffiti art movement and for his influence on New York City nightclub and youth culture.
The Soul Artists of Zoo York were a loose-knit collective of skateboarders and graffiti artists. [1] [4]The Soul Artists of Zoo York skated an abandoned bowl in Van Cortlandt Park called the "Deathbowl," which was the origin of the name for a documentary on the NY skate scene: Deathbowl to Downtown, narrated by Chloe Sevigny, released in 2008.
The membership of the CORE Club is drawn from the economic and social elite of New York City. Writing in the New York Times in 2005 Warren St. James described the club as being a place for "a geographically and socially diverse set of wealthy people to gather and meet others of the same disparate tribe" and an "ambitious act of social exclusion". [2]