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The Three O'Clock is an American alternative rock group associated with the Los Angeles 1980s Paisley Underground scene. Lead singer and bassist Michael Quercio is credited with coining the term "Paisley Underground" [1] to describe a subset of the 1980s L.A. music scene which included bands such as Dream Syndicate, Rain Parade, Green on Red, the Long Ryders and the Bangles.
Ever After is the third album by The Three O'Clock, released in 1986 (see 1986 in music). The album was produced by Lightning Seeds frontman Ian Broudie, former member of the New Wave bands Big in Japan and Care. [1]
The Three O'Clock originally formed under the name The Salvation Army in 1981. The original lineup, which included Quercio on lead vocals and bass, released a single ("Mind Gardens" b/w "Happen Happened") on The Minutemen's New Alliance label in November, 1981.
Vermillion is an album by the American band the Three O'Clock, released in 1988. [1] It was the band's fourth and final album. [2] The album was released on Paisley Park Records; label founder Prince wrote "Neon Telephone", on which Wendy and Lisa sang. [3] [4] Vermillion was produced by Ian Ritchie. [5] Jason Falkner joined the band on guitar. [6]
A blogger for The Guardian later called the album "pretty awful", complaining that The Three O'Clock "always hinted at something incredible, and then ruined it all with an anaemic keyboard line or singer Michael Quericio's weedy vocals. If you were to sum them up in one word, it would be twee."
Pages in category "The Three O'Clock members" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. F. Jason Falkner; M.
Arrive Without Travelling, released in 1985, is the second album by the Three O'Clock, and their I.R.S. Records debut. The title was taken from a line from "The Inner Light", a song by George Harrison, which in turn derived the phrase from verse 47 of the Tao Te Ching, a Chinese classic text.
Three O'Clock in the Morning" is a waltz composed by Julián Robledo that was extremely popular in the 1920s. Robledo published the music as a piano solo in 1919, and two years later Dorothy Terriss wrote the lyrics.