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The first page of All's Well, that Ends Well from the First Folio of Shakespeare's plays, published in 1623. All's Well That Ends Well is a play by William Shakespeare, published in the First Folio in 1623, where it is listed among the comedies. There is a debate regarding the dating of the composition of the play, with possible dates ranging ...
Fulford goes on to note with some irony the ready use—the glad suffering—of fools by Shakespeare, who elevated their roles, admittedly non-Pauline, [5] throughout his literary corpus. In his highly regarded early literary biography of Charles Dickens , G.K. Chesterton commented on the interpretation of St. Paul's "suffer fools gladly":
It tells the story of Shakespeare's life with a mixture of fact and fiction, the latter including an affair with a black prostitute named Fatimah, who inspires the Dark Lady of the Sonnets. The title refers to the first line of Sonnet 130, "My mistress' eyes are nothing like the sun", in which Shakespeare describes his love for a dark-haired woman.
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare.Part of the Fair Youth sequence (which comprises sonnets 1-126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author.
Kirkus Reviews said 1599 is "an intriguing addition to Shakespeare studies" that is "sure to be hated by Harold Bloom and others who view any attempt to locate the Bard in history as blasphemy against the religion of Pure Art, but open-minded readers will be stimulated and enriched by Shapiro’s contextual approach".
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Shakespeare's Memory (original Spanish title: La memoria de Shakespeare) is a short story collection published in 1983 that collects the last stories by Argentine writer Jorge Luis Borges, which had been published in diverse mediums, such as the national newspapers La Nación and Clarín. [1] It was published three years before the author's death.