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This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
"The Vatican Rag" takes musical inspiration from ragtime pieces such as "Spaghetti Rag" (1910) and "The Varsity Drag" (1927).[1] [2] A spoken introduction describes the song as a response to the "Vatican II" council—which, among other things, broadened the range of music that could be used in services—and humorously proposes this rag as a more accessible alternative to traditional ...
"The Lord's Prayer" is a pop rock setting of the Lord's Prayer with music by Arnold Strals recorded in 1973 by the Australian nun Sister Janet Mead. [1] [2] Mead was known for pioneering the use of contemporary rock music in celebrating the Roman Catholic Mass and for her weekly radio programs. [3]
Music was founded as a nonprofit outreach of Calvary Chapel to popularize and promote a new, folk-rock style of hymns and worship songs influenced by the Jesus people. [ 3 ] [ 4 ] [ 5 ] Some of the early Maranatha! recording groups were Sweet Comfort Band , Love Song , Chuck Girard , Children of the Day , The Way , Debby Kerner , Mustard Seed ...
All of the Dameans contributed to vocals to varying degrees, with Darryl, Buddy, and Gary singing lead on most songs. All of these men contributed to the songwriting. Darryl, Buddy, and Gary frequently wrote lyrics and music for their songs. Mike is more of a lyricist and worked often as a co-writer with Darryl.
"From Mountains High: Contemporary Catholic Music 1970 - 1985. Pastoral Press (May 1, 2018) Gale, Mike. "The St. Louis Jesuit: Thirty Years" Oregon Catholic Press 2006; McDermott, Jim. "Sing a New Song: Part 2, The St. Louis Jesuits: Earthen Vessels." America, May 30, 2005. Online at Sing a New Song: Part 2, The St. Louis Jesuits: Earthen Vessels.
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This is a list of notable contemporary Christian music artists from the 1970s. The Encyclopedia of Contemporary Christian Music (2002) defines CCM as "music that appeals to self-identified fans of contemporary Christian music on account of a perceived connection to what they regard as Christianity ". [ 1 ]