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The following is a list of etchings by the Dutch painter and etcher Rembrandt, ... The Complete Etchings of Rembrandt Reproduced in Original Size, Gary Schwartz ...
Rembrandt's Hundred Guilder print, as it has become known, has been famous since his own day for the extraordinarily high price it fetched. A letter to Carolus van den Bosch, the Bishop of Bruges, in 1654, only a few years after it was completed, claimed that "in Holland [it] has been sold various times for 100 guilders and more", saying it was "very fine and lovely, but ought to cost 30 ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
The monochromatic painting, which measures 9.6 x 7.3 inches (24.5 x 18.5 centimeters), was purchased by an anonymous buyer for €860,000 ($908,000) at the Christie’s sale.
The Shell, also known as Rembrandt's Shell or Conus Marmoreus, or in Dutch as De schelp ("the shell") or Het schelpje ("the little shell"), is a 1650 drypoint and etching by Rembrandt van Rijn. Catalogued as B.159, it is Rembrandt's only still life etching. Only a handful of original prints are known, in three states.
Rembrandt began with the dark surfaces in the background and only sketched in the model. The second state was printed in 1640, with the arms and other details shown in more detail. Some argue that he abandoned the work, though Emmens instead argues that he produced it as a teaching aid for his students to show different stages in etching and ...
An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. “The French Bed,” drawn by the Dutch ...
The drawing is related to the etching B338 : St. Paul in Meditation: c. 1629?? Musée du Louvre, Paris: Indented for transfer to the etching B149 : Diana at the Bath: c. 1629: Black chalk with some light brown wash: 18.1 x 16.4 cm: British Museum, London: Indented for transfer to the etching B201 : Seated Old Man: 1630: Red chalk on laid paper ...
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