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An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. ... is up for sale at the auctioneer’s ...
The following is a list of etchings by the Dutch painter and etcher Rembrandt, with the catalogue numbers of Adam Bartsch. Each change or addition to the plate that can be seen in a print is referred to as a 'state' of the print.
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
Rembrandt added his signature and the date in reverse, so they print correctly. The print is known in three states. The first state was drawn with drypoint only, and shows the shell and its shadow against a plain background. The second state is reworked with etching, and adds a shadowed background space reminiscent of a shelf or box.
A new exhibition at the Worcester Art Museum is an expansive showcase of Rembrandt’s formidable printmaking skills. Titled “Rembrandt: Etchings from the Museum Boijmans Van Beuningen,” the ...
Rembrandt's etching is a dramatic presentation of the moment Potiphar's wife grabs the fleeing Joseph. Considered "unprecedented in its erotic candor", [3] it shows Joseph averting his eyes from the frankly depicted nude lower body of his master's wife. Only an etching of 1600 by Antonio Tempesta had portrayed a comparable sexual aggressiveness ...
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