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For example, in the key of C major, the chord D minor seventh can be written as "2− 7", "2m 7", or "ii 7". "The musicians in Nashville use the Nashville Number System almost exclusively for conveying a song's structure and arrangement in the recording studio." [3] In the key of C, C=1, D=2, E=3, and so on for all seven notes in the key.
The planed chords can be further embellished: for example, if a D major is planed down a semitone, a minor seventh can be added to the resulting chord, C ♯; as a dominant chord assumed to be the fifth degree of the momentarily tonicized F ♯ major, it can have a second degree added to it, thus creating an incomplete ii-V-I turnaround which ...
Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. [1] One example of a widely used chord progression in Western traditional music and blues is the 12 bar blues progression.
Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are major scales and the three forms of minor scales. [2] Chords may also be borrowed from other parallel modes besides the major and minor mode, for example D Dorian with D major. [1]
Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
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Examples of this are The Blind Boys of Alabama, [citation needed] a group that is still recording today. Artists like The Beatles and Simon & Garfunkel used close harmony, echoing their chosen role-models, The Everly Brothers. [4] The Louvin Brothers were a duo that used close harmony in the genre of country music. [5]